Monday, August 15, 2011

Concert Promotion Safety

A very sad tragedy happened last Saturday night at the Indiana State Fair.  Five people lost their lives and many were seriously injured in the stage collapse.  Our sympathy goes out to all the families and their friends.

It's early in the investigation but this is the third time this summer that a stage or part of it has collapsed in bad weather.  On July 17, 2011 at the Ottawa (Canada) Bluesfest, during a Cheap Trick concert part of the stage went down in a violent storm with one serious injury.  On August 6, 2011 the Brady Block Party came to a sudden halt as a strong storm collapsed part of the stage at the Flaming Lips concert. Luckily no one was injured however, there was significant property damage.

Most concert goers do not have any idea how complicated planning and managing an event is.  Especially outdoors events. Some of the challenges facing a promoter are:

  • Temporary staging, including roofs, light and sound towers and rigging that the promoter may have little control over.
  • Requirements from entertainers that may push the envelope of safety.
  • Contradictory desires and requirements of venue management, sponsors, local emergency management authorities, the performers and others.  Promoters are mindful that some entertainer contracts require complete payment, as well as transportation costs, in the event of cancellation because of "an act of God".  Entertainers may not want to anger fans by cancelling a performance because of weather, that then passes quickly or isn't as severe as predicted.  Emergency managers don't like to order evacuations too often, being perceived as crying wolf, possibly lessening future cooperation.  
  • Monetary limitations, judging whether a high impact/low probability event mediation is affordable or makes fiscal sense, in light of the very small chance of happening.
  • Weather events, this year record tornadoes, record heat, record drought and severe summer storms, are challenging safety plans and procedures.
  • Crowds themselves, sometimes it only takes a very few to create huge problems, such as fights, rushing the stage, throwing missiles at the performers or other concert patrons.  It is not unusual for at least someone to display stunningly bad judgement, in the face of lightning, possible tornadoes and other weather mayhem, to bitterly contest being ordered to evacuate.
  • Communications issues: possibly conflicting information incoming from multiple sources (weather reports, for example).  Conflicting messages, such as apparently happened in Indianapolis, giving evacuation information at the same time that the concert was announced to go on as scheduled. 
  • Front stage areas, which have additional risks: crowding, especially dangerous if children are there.  Clearly, structures may fall on what is considered "premium space" by ardent fans,
  • Safety of crews, staff and entertainers:  Sugarland's Tour Manager undoubtedly saved their lives, because he held the band back from taking stage, to see how the weather turned out.  Tragically someone sent a tech up into the rigging, in spite of the impending storm, and that man died in the collapse. 
In 1979 in Cincinnati, Ohio, 11 fans were crushed to death and scores injured as a result of incredibly gross crowd mismanagement.  Laws were enacted, and copied world wide, that may have saved many lives since then.  Already reports that other outdoor events scheduled this summer are reevaluating their evacuation and safety plans.  That's as it should be.  Concert production on it's best days is the coolest job in the world, on it's worst agonizing regrets over the loss of human life.  Hopefully, continuing education and reevaluation of how the business is conducted will assure safe and happy concert experiences for all of us in the future.   


 

Tuesday, May 10, 2011

Ty Meeks, Great Guy Extraordinaire

He's a booking agent, DJ and really knows the music biz.  Check out his Facebook at http://www.facebook.com/pages/Suntoucher-Entertainment-LLC/127351477274947

Impressive!

Concert, Festival and Special Event blogger is back!

Turns out Stachybotrys (black toxic mold) is very bad for the system.   All of them.  I guess it was building in the walls ever since hurricane repairs several years ago.

Now we're back and have some exciting news.  We have our first contest winner:  Ty Meeks of SunToucher Entertainment in New Jersey.   We will be writing more about him tomorrow.  He's a great guy and we're looking forward to working with him on his prize award: an hour of free consulting and a copy of our manual "Successful Secrets of Concert, Festival and Special Event Production.  Check out Ty on http://www.myspace.com/sunent.

Wednesday, November 10, 2010

Exciting New Contest

The professionals at http://www.eventsmanual.com have announced a new contest.  The winner of the contest will receive a free one hour private coaching session.  The value of the prize is $500.00.

 With over 45 years of collective experience in the live events field both nonprofit and corporate, the winner will be able to make valuable contacts in their chosen career path.

The deadline for entering the contest is December 15, 2010 so check out the website for details: http://www.eventsmanual.com

Tuesday, November 9, 2010

Tour Booking

New Kids on the Block and Backstreet Boys have announced the first five dates of their summer 2011 tour, NKOTBSB.
  • June 9 Air Canada Center Toronto ON
  • June 11 Nassau Coliseum, Uniondale, Ny
  • June 12 Izod Center East Rutherford, NJ
  • June 17 United Center Chicago, Il
  • July 1 Staples Center LA, Ca
This is a perfect example of how major tours are laid out.  There are probably negotiations going on to fill in between Chicago and LA.   When negotiating with booking agents, it's very valuable to know where the act is performing both before and after your proposed date.  If your location falls between those locations, it's much more economical for the entertainer and all of their equipment to make the gig, than to back track half way across the country.  It saves both the artist and you expenses.  Of course, you do not want to have your event geographically too close to the preceding or events after yours because it would hurt your ticket sales.  As a promoter you should include a radius clause designating how far away any other dates by the performer must be in your Offering Sheet.  That distance will be influenced by among other things, how big your market is. 

News from the Live Events and Nonprofit Industries

If your nonprofit is newly formed or if you just want to make sure that you're complying with all the rules and regs, the IRS has some really valuable free workshops and webinars designed for you.
  • Starting Off Right: A Webinar for New 501(c)(3) Organizations is to be held on November 18 at 2:00pm. 
  • A Workshop for Small and Mid-sized 501(c)(3) Organizations is to be presented in Phoenix, AZ on December7, 8 or 9 in collaboration with Lodestar Center for Philanthropy and Nonprofit Innovation, Arizona State University.
You can get registration information by following the link below.
The IRS  web site is a great resource, in planning for fund raising events, if you have any question regarding income that will be taxable and if your event will be tax deductible for attendees.  The link is http://www.irs.gov/charities/index.html
Specific questions regarding technical or procedural issues may be answered at EO Customer Account Services at 1-877-829-5500